Your Manuscript and the Editing Process – Part Three

In my discussions over the past two weeks, I explained the importance of Editing. I stressed how you need to write the FIRST DRAFT before you worry about Editing.

The FIRST DRAFT is when you empty every thought you have about your storyline. DO NOT self-edit as you go – it doesn’t matter how ugly the document looks. Some people feel more comfortable writing out the FIRST DRAFT by hand, while others feel more confident if they use their computer. (I find that if I write the FIRST DRAFT by hand, the first round of Editing will occur when I’m transcribing the work from handwritten notes to a Word.doc.

So, now once you’ve emptied your brain and you feel like you’ve expressed all of your thoughts about the story in writing, you’re ready to begin the EDITING PROCESS.

The PROCESS is something you will develop over time, but it is always best to look at what the experts say when starting out. After reading numerous articles from famous – some very famous, and some not-so-famous, authors, I realize that everyone has their personal methods. The editing process becomes a checklist for each author to root out the errors they know are there. I’ve boiled down the different steps I saw across the board and came up with some common steps. They are:

The best place to begin is CONTINUITY. If you have basically done an idea dump onto paper, the MS needs to be put into a logical order. Your story needs to have a clear beginning, middle, and end. Along the way, you introduce the Characters, the problems they face, and the Setting.

I think the best place to start when it comes to Characters, is with your PROTAGONIST or MC. This character will have the main problem that needs to be solved. Your PLOT revolves around the actions of the Protagonist. (Without the full development of the PLOT – your story will fizzle out.)

Next, it is time to determine a general idea of how your character will change during the story. How will dealing with the problems and obstacles make a difference in their lives? (IF your MC does NOT change over the course of the story – the PLOT and OBSTACLES aren’t clearly defined.)

And then, you determine the SETTING for your story. Depending on whether you are writing a short story or a novel, your plot should involve just one or a handful of scenery changes. Write the descriptions in a separate document and sprinkle the details throughout your prose.

Next week’s Blog entry for Friday will continue the discussion on Editing.

Until then,

~Mustang Patty~

Published by Mustang Patty

I am finally a full-time author, who writes legal thrillers, how-to- books, short stories, flash fiction, a tiny bit of poetry, and Blog posts. My published works include 'Guilty until Proven Innocent,' and 'Innocent for the Moment.' Both of these books are part of a trilogy called the Jill Adair Series. The third book will be available in late summer of 2020. I'm currently coordinating a Collection of works created by Artists during the Pandemic. The title of the book is '2020 Artists on LockDown Collection,' and it will be available for sale on Amazon.com in early September 2020. I'm also coordinating an Anthology of Short Stories called, '2020 Indie Authors Short Story Anthology.' This book will be available on Amazon.com on Black Friday, 2020 - just in time for holiday giving. I am married to my wonderful hubby of over 36 years, and I have two grown children, named Heather and Gregory. I've been blessed with two beautiful grandbabies, Heather Rose and Logan Ernest.

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